“My plan was to not remix, but re-play the song in a full live setting, as if in 1975 Bowie recorded the original and then flew to Brooklyn (or even Jamaica) to cut another take with “my” players. Everything was recorded 100% analog to 2” tape. All equipment that was available before 1975. My approach was to take influence of the Jamaican musicians (and recording styles) of the mid-seventies, and their infatuation with American Soul music. If you dig it, that would be great. Knowing that BOWIE digs it, I’m over the moon.”